Play Along Piano

Uploaders

edward.maurath

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"

edward.maurath

3:55	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	74	5	7	100%
	17	19	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Bertarido	13	0	2	6	76%
Vln 1	14	0	0	7	57%
Contrabass Continuo	11	0	0	4	53%
Viola	10	0	0	4	47%
Vln 2	11	0	0	5	47%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238

edward.maurath

3:45	Est. Play Time
56	Measures
	1,423Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	2	6	88%
	11	0	2	7	91%
Soprano	14	0	2	7	89%
	14	0	2	7	80%
Tenor	12	0	1	7	79%
	13	0	1	7	88%
Organ	19	32	3	7	87%
Organ	19	19	2	7	84%
Violin 2	12	0	2	6	75%
	16	0	2	7	84%
Continuo	16	0	1	7	77%
	19	0	2	7	81%
Cello Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violone Continuo	15	0	1	7	75%
	17	0	2	7	80%
Violin 1	17	0	3	7	80%
	13	0	2	7	68%
Viola	16	0	1	7	79%
	12	0	1	7	70%
Bass	13	0	0	7	68%
	15	0	2	6	73%

"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)

edward.maurath

3:19	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	43	7	8	99%
	27	19	5	5	96%
Oboe	11	0	0	7	79%
	10	0	0	5	79%
Violins I	11	0	0	7	79%
Violins II	10	0	0	5	79%
Soprano as Eurilla	14	0	3	8	75%
Bassoon with viola	9	0	0	5	25%
Bassoon (Continuo)	9	0	0	5	25%
Contrabassi (Continuo)	9	0	0	5	25%
Viola	9	0	0	5	25%
Violoncelli (Continuo)	9	0	0	5	25%
Violoncello (Continuo)	9	0	0	5	25%

HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"

edward.maurath

6:49	Est. Play Time
97	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	6	9	85%
Harp	21	27	6	8	84%
	28	68	10	8	84%
Harpsichord	20	48	6	8	84%
	27	51	9	8	84%
Cesare	15	0	6	8	71%
Bassoon	14	7	0	7	60%
Continuo	22	0	6	5	55%
Vln 1	16	0	4	8	37%
Celli	16	0	2	5	35%
Kontrebaß	16	0	2	5	35%
Vln 2	13	0	0	6	32%
Violas	10	0	0	7	29%

"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)

edward.maurath

4:51	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Harp (Continuo)	21	16	6	6	88%
	20	27	6	4	77%
Violoncello (Continuo)	17	0	4	4	80%
Esilena	15	0	4	7	76%
Violins 1	16	0	0	6	68%
Violins 2	12	0	0	5	68%
Contrabass (Continuo)	12	0	0	4	51%
Contrabasses (Continuo)	12	0	0	4	51%
Violoncellos (Continuo)	12	0	0	4	51%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

K 492, #25, "Ineque anni"

edward.maurath

5:30	Est. Play Time
138	Measures
	2,207Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	27	3	9	11	98%
Violins 2	27	3	9	11	98%
Celli	20	0	6	9	95%
Contrabasses	20	0	6	9	95%
Violas	19	7	6	9	95%
Don Basilio	17	0	7	6	91%
Bassoon	22	31	7	8	64%
B♭ Clarinet	19	23	6	7	63%
Flute	18	0	6	9	62%
B♭ Horn	9	10	0	7	54%
Harpsichord	19	6	3	5	16%
	17	7	2	3	15%

"Sventurata!" from "La Cenerentola"

edward.maurath

3:17	Est. Play Time
100	Measures
	2,327Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	16	0	4	10	100%
Violoncellos	16	0	4	10	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	16	0	4	10	100%
Violoncellos	16	0	4	10	100%
Violas	18	8	6	11	99%
Violins 1	28	13	10	12	99%
Violins 2	26	14	8	11	96%
Clorinda	20	0	6	13	84%
Bassoon	16	0	3	7	77%
	15	0	3	7	75%
Oboe	14	0	4	7	71%
	10	0	2	6	68%
BaccidentalFlat Corno	6	0	0	6	67%
	4	0	0	6	67%
Flute	18	0	5	9	61%

"Vasto teatro è il mondo" from La Cenerentola

edward.maurath

3:41	Est. Play Time
89	Measures
	2,867Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	2	4	6	96%
	23	3	6	6	99%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	2	4	6	96%
	23	3	6	6	99%
Violins 1	23	3	6	6	99%
Violins 2	19	2	4	6	99%
Violoncellos	12	0	2	6	99%
Viola	18	3	4	6	98%
Violas	18	3	4	6	98%
Contrabasses	14	0	2	6	98%
Horns	11	7	0	6	90%
Bassoon	12	0	2	5	70%
	16	0	4	5	82%
BaccidentalFlat Clarinet	14	0	4	6	80%
	14	0	2	6	75%
Alidoro	12	0	3	6	69%